This week we are back on the practice pad with this fun four measure sequence that combines paradiddles and hertas.
These exercises serve as a great workout for improving coordination, dexterity, and timing around the kit. They also make unique-sounding, punchy drum fills to use within your own playing.
Each of the fills below share a basic, accented sixteenth-note pattern. Accents are played every third sixteenth note. In fills 1 through 3, the accents begin on beat 1. Fills 4 through 6 begin the accent pattern on the "&" of beat 1.
This lesson explores adding a syncopated crash on the "&" of beat 4.
This lesson takes a look at the verse and chorus and drum beats from the 90s Indie Rock classic Song 2 by Blur.
The lesson takes a step back from the traditional format and explores the intricacies of music notation strategies. Learn the most preferred voice grouping techniques for the cleanest and clearest music notation.
This lesson explores the pickup and drum fills in the intro of All Along The Watchtower by Jimi Hendrix as well as some fun variations for around the kit.
Do you have trouble making up drum fills on the fly? If so, you're not alone. A lot of drummers express difficulties and even anxiety when asked to do so. This lesson provides a template for practicing and developing your improvisational skills.
This lesson strays from the common application of drum fills where toms and snare strokes are at the heart of the fill. By placing an emphasis on the hi-hat, a more subtle (but often effective) drum fill can emerge.
Learn a simple technique to add some flare and pop to the end of your drum fills. This lesson explores 8 examples to help you get started with the technique.
Learn a sweet-sounding two-bar drum fill aimed at beginner to intermediate drummers.
Each set of four drum fills below share the same rhythms but re-orchestrate those rhythms around the toms and crashes.
This week we're building a groove with the classic four-on-the-floor pulse.
Drummers are often locked into the technique of playing a crash cymbal on beat 1 when coming out of a drum fill. There's a good reason for that: it works well in a lot of situations.
We've all spent time learning new drum beats, and that's great. However, we often learn a groove and then move onto the next without really getting the most out of the pattern.