The instantly recognizable drum intro for the 20th Century Fox fanfare has been psyching-up movie-goers since the 1930s.
Learn this disco-esque drum beat that borrows some of the hi-hat techniques and snare pattern used in the song Le Freak by Chic.
We borrowed a technique used by Rodney Holmes in the Santana song Smooth to create this syncopated groove.
This fusion drum beat conceals the one with multiple layers including the open hi-hat, bass drum and slick rim knock pattern.
The soundtrack for the movie franchise 'The Terminator' has seen several incarnations over the last 30 years. In this article, we will compare the core rhythms used in sequels to the original theme.
Twenty One Pilots drummer, Josh Dun, kicks off 'Ride' with a powerful reggae-inspired feel. The right-hand plays the hi-hat in sixteenth-notes, with an emphasis on the eighth-note pulse.
Teardrop is the UK based trip-hoppers most famous song to date. It featured as the second single from their critically acclaimed album, Mezzanine (1988).
This distinctive four-measure rhythm was played with minor variations in the verse sections of the song. In the fourth measure of each phrase, a second drummer played the off-beat bass drum hits in unison (heard in the left channel). The pair of drummers played the choruses together.
Jamaican drummer, Carlton Barrett, plays a sublime half-time feel on Running Away, one of The Wailer's lesser known songs. The core groove features a hip, accented hi-hat pattern resolving with the back-beat played between the rim knock and bass drum. The challenge is to play the accented hi-hat part while maintaining a relaxed vibe.
The verse section of Bowie's 80s hit, Let's Dance, features a funky bass line and accompanying drum part, which skips along to the rhythm of the bass. Rather than cycling a 2-measure pattern, as is commonly done, the rhythm section creates a unique phrase using a combination of the 'straight' and 'skipping measures' (ABBA BBAB). Drummer, Tony Thompson, plays a short fill to mark the end of each 8-measure cycle.
This tough sounding intro features the toms sounding in rhythmic unison with the guitars. Watch out for the pick-up note!
This driving soul groove is heard throughout the verses of Amy Winehouse's signature song, Rehab. Notice the accented hi-hat note appearing on beat 3 after the double-pop snare hits. The song earned Amy three Grammys in 2008: Record of the Year, Song of the Year, and Best Female Pop Vocal Performance. The drum track was recorded using only a single microphone to achieve an authentic 60s sound.
Slipknot's Psychosocial was nominated for a Grammy Award in 2009 and is one of their most popular songs to date. This repeated two-measure phrase heard in the bridge section (2:44) features the guitars and snare drum being played in rhythmic unison. A similar rhythmic pattern is used in the outro, about which percussionist, Shawn Crahan, said " [the song] is capped off with a time-signature shattering guitar/drum breakdown that will leave the best air-instrumentalists stumped".
Homer Steinwiss played this fun, up-beat soul groove throughout most of the song. The lightly swung off-beat eighth notes played on the bass drum give the groove a nice bounce. The 2/2 time signature suggests that the pulse be felt on the first and third beats of the measure (when played at full speed).
Dave Lombardo's drum break preceding the final chorus in Slayer's 'Angel of Death' is one of the most revered moments in heavy metal music (4:23). 6 evenly spaced flams were played on the toms – over a rapid 16th note roll with the bass drums. The two-measure lead in has been included to give the fill context. Which voicing do you prefer?