This groove blends both the double paradiddle and the single paradiddle into a crazy sounding drum beat based in common time.
This rock flavored beat is phrased in 3/4 time. The open hi-hats add an up-beat, syncopated layer to the groove.
The classic theme from the 1960s TV series "Mission: Impossible" was composed by Lalo Schifrin, who jokingly said that it was written for people with five legs.
Enjoy this 2-bar groove that lays down some syncopated bass and ghosted snare strokes for flair.
The instantly recognizable drum intro for the 20th Century Fox fanfare has been psyching-up movie-goers since the 1930s.
Learn this disco-esque drum beat that borrows some of the hi-hat techniques and snare pattern used in the song Le Freak by Chic.
We borrowed a technique used by Rodney Holmes in the Santana song Smooth to create this syncopated groove.
This fusion drum beat conceals the one with multiple layers including the open hi-hat, bass drum and slick rim knock pattern.
The soundtrack for the movie franchise 'The Terminator' has seen several incarnations over the last 30 years. In this article, we will compare the core rhythms used in sequels to the original theme.
Twenty One Pilots drummer, Josh Dun, kicks off 'Ride' with a powerful reggae-inspired feel. The right-hand plays the hi-hat in sixteenth-notes, with an emphasis on the eighth-note pulse.
Teardrop is the UK based trip-hoppers most famous song to date. It featured as the second single from their critically acclaimed album, Mezzanine (1988).
This distinctive four-measure rhythm was played with minor variations in the verse sections of the song. In the fourth measure of each phrase, a second drummer played the off-beat bass drum hits in unison (heard in the left channel). The pair of drummers played the choruses together.
Jamaican drummer, Carlton Barrett, plays a sublime half-time feel on Running Away, one of The Wailer's lesser known songs. The core groove features a hip, accented hi-hat pattern resolving with the back-beat played between the rim knock and bass drum. The challenge is to play the accented hi-hat part while maintaining a relaxed vibe.
The verse section of Bowie's 80s hit, Let's Dance, features a funky bass line and accompanying drum part, which skips along to the rhythm of the bass. Rather than cycling a 2-measure pattern, as is commonly done, the rhythm section creates a unique phrase using a combination of the 'straight' and 'skipping measures' (ABBA BBAB). Drummer, Tony Thompson, plays a short fill to mark the end of each 8-measure cycle.
This tough sounding intro features the toms sounding in rhythmic unison with the guitars. Watch out for the pick-up note!