To a lot of drummers, syncopated notation (and playing the notation, for that matter) seems to be an alien concept. However, taking a step back to examine a few of the most common syncopated patterns can ease our syncopated woes. They're not as difficult to read as they may appear at first glance.
For this week's lesson we have got a Christmas cracker of a drum fill. Check it out!
For this week's lesson we have got a cool double paradiddle exercise between the crashes, snare and kick drum that works great as part of your practice regime or part of a solo routine.
For this week's lesson we have got another cracking little drum fill around the kit using 16th note triplets. The sticking is RLRKRLRKK x2 followed by RLRKRL.
Learn some exercises and techniques to get the most out of your toms.
This dynamic drum fill is used in the song Here Without You by 3 Doors Down, leading into the second half of the bridge.
This lesson explores two drum fill variations that incorporate the low tom in a syncopated, beat-style application.
Enjoy a cracking little fill that finishes with a big whack on the snare on beat 4, creating a nice dramatic pause before returning to the groove. The sticking is a nice and simple RLRLKK played as 16th-note triplets orchestrated around the kit.
Learning to play new drum beats is a lot of fun and very rewarding. Many beginner to intermediate level drummers tend to play new drum beats at face value without further exploring ways to add their own personal touch to make the beat feel the way it needs to in order to meet their given situations.
For this week's lesson we have a crack at one of my favorite drum beats from one of my favorite bands - Passenger By Deftones. The groove is made up of single stroke 16th notes with some tasty accents on the hi-hat throughout the groove to give it an awesome feel.
Learn a funky little two-measure groove played between the kick and snare using single strokes, double strokes and accents. The lesson starts with the basic hand pattern before adding the kicks. We'll also explore some alternative ideas for playing the pattern including the hi-hat.
Taking a look at playing in the 5/4 odd time signature, Alex Ribchester teaches how to incorporate some of the feel of 4/4 time by simply adding one extra beat of groove to the end of the bar.
By starting the triplet fill on the third stroke of the triplet instead of the first, Bonham creates a hesitated, syncopated drum fill. Learn this triplet technique used by John Bonham in the song Kashmir.
For this week's lesson we have got a cracking little drum fill using a combination of sextuplet sticking patterns for intermediate level drummers.
This lesson explores a drum fill played by Chad Smith in the outro section of the song Give It Away. Learn this extending-the-fill technique and some applications for around the drum kit.