Inspired by the funky, syncopated, ghost-stroke snare patterns immortalized by Keith Carlock, this groove will keep things moving.
"We Are" is the lead single from progressive rock band Karnivool's third album, Asymmetry (2013).
"Holy Diver" was the lead single from Dio's debut album of the same name (1983). It endures as one of the band's most widely recognized and popular songs.
Clyde Stubblefield's drum break in James Brown's "Funky Drummer" is one of the most instantly recognizable and popular funk grooves of all time. The eight measure drum feature has become one of the most sampled elements in hip hop and popular music.
"Atavachron" is the title track from Allan Holdsworth's classic fusion album, released in 1986. It was his first album which featured the SynthAxe — a guitar-like MIDI controller.
This groove features a slick ostinato 3 pattern on the ride cymbal that is no walk in the park. There are ways to change the groove while maintaining its funkiness. Check it out!
This groove nails a host of embellishments, but what happens when you strip them away? Check it out!
This rock groove plays alternating sixteenth notes between the ride bell and hi-hat. The snare remains on the classic beats 2 and 4 while the hands do the embellishing.
Enjoy this 2-bar groove that lays down some syncopated bass and ghosted snare strokes for flair.
We borrowed a technique used by Rodney Holmes in the Santana song Smooth to create this syncopated groove.
This fusion drum beat conceals the one with multiple layers including the open hi-hat, bass drum and slick rim knock pattern.
This 4-measure (repeated) section is heard at the tail end of Alex Van Halen's famous drum intro – right before his guitarist brother, Eddie, joins in at 0:22.
This excerpt is taken from melody section [0:37 to 1:12] of "I'm Tweeked / Attack of the 20lb Pizza" from Vinnie Colaiuta's self-titled album (1994).
This microscopically complex beat played by Damion Reid, sets the tone for Robert Glasper's tune "F.T.B." It features rapid 32nd note paradiddle-diddles played between the hi-hat and snare (beginning on the 'e' of beats 2 and 4). Meanwhile, the bass drum anchors the feel – sounding on beats 1 and 3. The drum part evolves organically throughout the piece while maintaining a relaxed vibe.
This inventive groove was played by Vinnie Colaiuta throughout the verses of Sting's 1993 song, Seven Days. The core rhythm is based on eighth notes grouped in 3s and 2s - marked with a bass drum hit on beat 1 and cross stick (rim knock) on beat 4. The hi-hat is accented on the odd numbered beats: 1, 3 and 5 in the first measure and the even numbered beats: 2 and 4 in the second. This creates an alternative 'slow 5' pulse spanning 2 measures, evening out the odd meter and making it more relatable to the listener.
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